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Jazz at First Sight:
The Art of David Stone Martin

On View:  July 3–December 31, 2010

Jazz at Lincoln Center presents a free art exhibition entitled Jazz at First Sight: The Art of David Stone Martin, featuring the record-album art of David Stone Martin (1913-1992)—whose brilliantly evocative jazz covers for the Verve label and others at mid-century set the industry standard. Martin sought visual equivalents of the music contained in the sleeves he illustrated: iconic images instantly recognizable as modern jazz.

This exhibit is curated by Robert G. O’Meally, C. Daniel Dawson, Diedra Harris-Kelley and Linda Florio (designer), with Tad Hershorn of the Institute of Jazz Studies, Rutgers University, as special curatorial advisor.

July 3–December 31, 2010
Peter Jay Sharp Arcade 5th floor, Frederick P. Rose Hall
Columbus Circle, NYC

The exhibit is FREE and open to the public:
Tue–Sun from 10 am–4 pm and 6–11 pm.
Monday from 6–11 pm.

Please join us for a series of FREE guided gallery talks with curators.
No RSVP required.
Sat, Jul 24 at 6:30pm
Sat, Sep 25 at 6:30pm
Sat, Oct 9 at 6:30pm
Sat, Nov 13 at 6:30pm

This exhibition is made possible by a generous gift from Janice and Bob Burns.

Acknowledgements

Jazz at Lincoln Center’s curatorial group consists of Robert G. O’Meally, C. Daniel Dawson, Diedra Harris-Kelley, and Linda Florio (designer). Tad Hershorn of the Institute of Jazz Studies, Rutgers University, is a special curatorial advisor for this exhibit. The group’s interns are Imani Owens and Simone Eccleston. Many thanks to Miles Davis and JR Sanders for helping shape this exhibition, to Nick Low and TVO for generously providing their films, and to Universal Music Group and Smithsonian Folkways. Our special gratitude goes to Tony Martin, whose participation made this exhibition possible, and to Jean Bubley and Fred Cohen for their invaluable expertise. Many thanks also to Gary Alderman, Sarah K. Khan, Hollis King and Marc Miller for their guidance. All the album cover art is from the collections of the Institute of Jazz Studies, Rutgers University and from the Center for Jazz Studies, Columbia University.

Previous Exhibitions:
In the Best Possible Light: Herman Leonard's Jazz
The Collage Aesthetic of Louis Armstrong: "In the Cause of Happiness"

Looking at the Music: The Jazz Photography of Chuck Stewart
Jam Session: America’s Jazz Ambassadors Embrace the World